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The numbers shown correspond to the dates of all Iron Age artifacts associated with the Bantu expansion. Sub-Saharan Africa, Subsahara, or Non-Mediterranean Africa [3] is the area and regions of the continent of Africa that lie south of the Sahara. These include Central Africa, East Africa, Southern Africa, and West Africa.
Sub-Saharan African music traditions. Drumming and dancing at Dakawa, Morogoro, Tanzania. In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for ...
Culture of Africa. The Culture of Africa is varied and manifold, consisting of a mixture of countries with various tribes depicting their unique characteristic and trait from the continent of Africa. [1] It is a product of the diverse populations that inhabit the continent of Africa and the African diaspora.
At the 45th session of the World Heritage Committee in September, UNESCO announced five new locations had joined the list of World Heritage Sites, taking sub-Saharan Africa’s total over 100 for ...
Khoi-San (unity doubtful; Khoikhoi, San, Sandawe + Hadza) Malayo-Polynesian ( Malagasy) Indo-European ( Afrikaaner) The ethnic groups of Africa number in the thousands, with each ethnicity generally having its own language (or dialect of a language) and culture. The ethnolinguistic groups include various Afroasiatic, Khoisan, Niger-Congo, and ...
African dance (also Afro dance, Afrodance and Afro-dance) refers to the various dance styles of sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies.
Local ceremony in Benin featuring a zangbeto. The beliefs and practices of African people are highly diverse, including various ethnic religions. Generally, these traditions are oral rather than scriptural and are passed down from one generation to another through folk tales, songs, and festivals, and include beliefs in spirits and higher and lower gods, sometimes including a supreme being, as ...
African music in Sub-Saharan Africa is mostly upbeat polyrhythmic and joyful, whereas the blues should be viewed as an aesthetic development resulting from the conditions of slavery in the new world. The blues has likely evolved as a fusion of an African blue note scale with European twelve tone musical instruments. [25]