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Melodrama. Mélodrame painted by Honoré Daumier between 1855 and 1860, depicting a typical Parisian scene as was the case on Boulevard du Temple. A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a very strong emotional appeal, takes precedence over detailed characterization.
The genre also heavily influenced writers such as Charles Dickens, who read Gothic novels as a teenager and incorporated their gloomy atmosphere and melodrama into his works, shifting them to a more modern period and an urban setting; for example, in Oliver Twist (1837–1838), Bleak House (1854) and Great Expectations (1860–1861). These ...
In The Literary History of the United States, George F. Whicher called Uncle Tom's Cabin "Sunday-school fiction", full of "broadly conceived melodrama, humor, and pathos". In 1985 Jane Tompkins expressed a different view with her famous defense of the book in "Sentimental Power: Uncle Tom's Cabin and the Politics of Literary History."
Festival d'Avignon, dir. Otomar Krejča, 1978. The theatre of the absurd ( French: théâtre de l'absurde [teɑtʁ (ə) də lapsyʁd]) is a post– World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays ...
Under the Gaslight is an 1867 play by Augustin Daly. It was his first successful play, and is a primary example of a melodrama, best known for its suspense scene where a person is tied to railroad tracks as a train approaches, only to be saved from death at the last possible moment. [1] [2]
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Absurdist fiction is a genre of novels, plays, poems, films, or other media that focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. [1]
Drama (film and television) Gone with the Wind is a popular romance drama. In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. [1] The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or ...