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ITC Avant Garde. ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.
Swash (typography) A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. [1] [2] [3] The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi 's La Operina, which is dated 1522. As with italic type in general, they ...
Liberation fonts. Liberation Serif is metrically identical to Times New Roman. However, designer Steve Matteson changed the letterforms considerably, making it less rounded and more squared. Liberation is the collective name of four TrueType font families: Liberation Sans, Liberation Sans Narrow, Liberation Serif, and Liberation Mono.
Johnston printing blocks in the London Transport Museum. Johnston (or Johnston Sans) is a sans-serif typeface designed by and named after Edward Johnston. The typeface was commissioned in 1913 by Frank Pick, commercial manager of the Underground Electric Railways Company of London (also known as 'The Underground Group'), as part of his plan to ...
File:Red Hat Logo 2019.svg. Size of this PNG preview of this SVG file: 613 × 145 pixels. Other resolutions: 320 × 76 pixels | 640 × 151 pixels | 1,024 × 242 pixels | 1,280 × 303 pixels | 2,560 × 606 pixels. This is a file from the Wikimedia Commons. Information from its description page there is shown below.
File:Red Hat logo.svg. Size of this PNG preview of this SVG file: 192 × 146 pixels. Other resolutions: 316 × 240 pixels | 631 × 480 pixels | 1,010 × 768 pixels | 1,280 × 973 pixels | 2,560 × 1,947 pixels. Original file (SVG file, nominally 192 × 146 pixels, file size: 3 KB) This is a file from the Wikimedia Commons.
Microgramma is a sans-serif typeface which was designed by Aldo Novarese and Alessandro Butti for the Nebiolo Type Foundry in 1952. It became popular for use with technical illustrations in the 1960s and was a favourite of graphic designers by the early seventies, its uses ranging from publicity and publication design to packaging, largely because of its availability as a Letraset typeface.
Cyrillic variant of the Futura typeface made for the Summer Olympic Games Moscow 1980. Autopilot controls of a Boeing 747 with legend written in Futura. Use of the font is widespread in the aerospace industry for flight instrument and control markings. A Cyrillic variant of the Futura Medium typography was made by Anatoli Muzanov for the 1980 ...