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Lyric video. "Eyes Open" on YouTube. " Eyes Open " is a song written and recorded by the American singer-songwriter Taylor Swift for the soundtrack to the 2012 film The Hunger Games. Produced by Swift and Nathan Chapman, "Eyes Open" is an alternative rock song with chiming guitars. Its lyrics are about staying strong during hardships, told from ...
Aaron Dessner. Lyric video. "Epiphany" on YouTube. " Epiphany " is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). Swift wrote the song with its producer Aaron Dessner over an ambient - chamber pop composition consisting of a slow piano line, cinematic strings and howling brass .
Producer (s) Taylor Swift. Aaron Dessner. Lyric video. "Champagne Problems" on YouTube. " Champagne Problems " is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). She wrote the song with Joe Alwyn, who is credited under the pseudonym William Bowery, and produced it with Aaron Dessner.
Take “State of Grace” off of Swift’s 2012 Red album, for example. The track includes the lyrics, “just twin fire signs, four blue eyes,” a nod to her and the element of her zodiac sign (fire
Produced by Nathan Chapman, "Our Song" is an uptempo banjo -driven country track incorporating fiddles and drums. Music critics lauded Swift's songwriting on "Our Song" for incorporating conversational lyrics and a memorable hook. It featured on Rolling Stone 's 2019 list of the best country songs by female artists since 2000.
June 21, 2024 at 1:50 PM. Taylor Swift is known for writing autobiographical lyrics about specific people that are or used to be in her orbit. In her song “Bad Blood,” she sends a vindictive ...
She gets more foul-mouthed with age. Taylor Swift is increasing the number of curse words in her lyrics with every new album. The pop superstar’s 11th album “The Tortured Poets Department ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.