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Concerto for Harpsichord No.3 (London, 1788) Concerto for Harpsichord No.4 ( Offenbach, 1789) Concerto for Harpsichord No.5 (Mainz, 1780) Concerto for Harpsichord No.6 (Wien, 1808) 1 Concertino for Harpsichord (Wien, s.a.) 3 Concertos for Flute (Bailleux, Paris, c.1782): Flute Concerto No.1 in A major. Flute Concerto No.2 in B-flat major.
Mozart and Haydn wrote most of their masses in C major. [3] Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C. [4] Of Franz Schubert's two symphonies in the key, the first is nicknamed the "Little C major" and the second the "Great C major".
Franz Schubert 's final chamber work, the String Quintet in C major (D. 956, Op. posth. 163) is sometimes called the "Cello Quintet" because it is scored for a standard string quartet plus an extra cello instead of the extra viola which is more usual in conventional string quintets. It was composed in 1828 and completed just two months before ...
The Sonata in C major (HWV 365), for recorder and basso continuo, was composed (probably before 1712) by George Frideric Handel.The work is also referred to as Opus 1 No. 7, and was first published in or shortly after 1726—in a collection of twelve sonatas titled Sonates pour un Traversiere un Violon ou Hautbois Con Basso Continuo Composées par G. F. Handel —purportedly in Amsterdam by ...
orchestra. Ludwig van Beethoven 's Piano Concerto No. 1 in C major, Op. 15, was written in 1795, then revised in 1800. It was possibly first performed by Beethoven at his first public concert in Vienna on 29 March 1795. [1][n 1] It was first published in 1801 in Vienna with dedication to his pupil Princess Anna Louise Barbara Odescalchi (née ...
Triple Concerto (Beethoven) Ludwig van Beethoven 's Concerto for Violin, Cello, and Piano in C major, Op. 56, commonly known as the Triple Concerto, was composed in 1803 and published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ...
The musicologist Cliff Eisen contextualizes the op. 20 quartets as follows: "Haydn's quartets of the late 1760s and early 1770s [opp. 9, 17 and 20] are high points in the early history of the quartet. Characterized by a wide range of textures, frequent assymetries and theatrical gestures...these quartets established the genre's four-movement ...
Prelude, bars 1–5. The uninterrupted flow of notes tends to conceal the fact that the prelude as a whole is carefully constructed. Tovey continues, "with the middle of bar 5, the design begins to develop": Prelude, bars 5–14. A linking section passes seamlessly through a series of related keys in bars 14 to 19: Prelude, bars 14–19