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Bad Books is the debut album from the folk/indie rock collaboration project by folk artist Kevin Devine and members of indie rock band Manchester Orchestra. It was released digitally on October 19, 2010, and with a physical CD copy following on November 9, 2010 through Manchester Orchestra 's own label Favorite Gentlemen Recordings .
III is the third album from Bad Books, the collaborative project from Kevin Devine and Manchester Orchestra members Andy Hull and Robert McDowell. The album was released in digital format on June 14, 2019 while the physical release took place on June 21, 2019 on Loma Vista Recordings. [8] [9] [10]
1971: A 25th Anniversary in Show Business Salute to Ray Charles (ABC) 1973: Ray Charles Live (Atlantic) 1978: The Tender Side of Ray Charles (Suffolk Marketing, Inc.) 1980: Heart to Heart (Endeavour) (AUS #46) [ 8] 1987: Ray Charles – His Greatest Hits, Volume 1/Volume 2 (DCC Compact Classics)
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Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode.
"Ticket to Ride" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. Issued as a single in April 1965, it became the Beatles' seventh consecutive number 1 hit in the United Kingdom and their third consecutive number 1 hit (and eighth in total) in the United States, and similarly topped national charts in Canada, Australia and ...
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F 5). [1]