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The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
Nor tears. Their blind eyes see not your tears flow. Nor honour. It is easy to be dead. Say only this, “They are dead.” Then add thereto, “Yet many a better one has died before.” Then, scanning all the o'ercrowded mass, should you Perceive one face that you loved heretofore, It is a spook. None wears the face you knew.
Poet Dylan Thomas c. 1937–1938. " Do not go gentle into that good night " is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. [ 1] Though first published in the journal Botteghe Oscure in 1951, [ 2] the poem was written in 1947 while Thomas visited Florence with his family.
The subject was inspired by Mary Alice "Allie" Smith, an orphan living in the Riley home during her childhood. The poem contains four stanzas; the first introduces Annie and the second and third are stories she is telling to young children. Each story tells of a bad child who is snatched away by goblins as a result of his or her misbehavior ...
Twitter user Ronnie Joyce came across the poem above on the wall of a bar in London, England. While at first the text seems dreary and depressing, the poem actually has a really beautiful message.
"She Walks in Beauty" is a short lyrical poem in iambic tetrameter written in 1814 by Lord Byron, and is one of his most famous works. [2] It is said to have been inspired by an event in Byron's life. On 11 June 1814, Byron attended a party in London. Among the guests was Mrs. Anne Beatrix Wilmot, wife of Byron's first cousin, Sir Robert Wilmot ...
The poem was put to song by country music stars Tex Ritter for his 1959 Blood on the Saddle album and Hank Snow on his Tales of the Yukon album (1968). The poem was the inspiration for The Face on the Barroom Floor painting by Herndon Davis in the Teller House Bar in Central City, Colorado, and that painting inspired a chamber opera by Henry ...
The line is one of the most highly regarded and widely debated lines in contemporary poetry, [2] [1] and has often been seen as having had cemented Wright's poetic legacy. [3] The line has been widely interpreted. In 2010, Dan Piepenbring [ de], writer for The Paris Review, summarized a large amount of the attention directed towards the poem: