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99% Invisible with Roman Mars is a tiny radio show about design, architecture & the ninety-nine percent invisible activity that shapes our world.
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99% Invisible is a sound-rich, narrative podcast hosted by Roman Mars about all the thought that goes into the things we don’t think about — the unnoticed architecture and design that shape our world.
I listened this morning, thanks to the time shifting nature of podcasts. I thought of a “curb cut effect” that wasn’t mentioned. Alexander Graham Bell Bell was a teacher of the deaf before he became an inventor.
01.18.24. Producer. 99pi. In our first official episode of this year’s epic mini-series breaking down The Power Broker, the author himself, Robert Caro, joins to talk about his book, process, and the problematic man himself: Robert Moses. On today’s show, Elliott Kalan and Roman Mars will cover the Introduction, Part 1, and Part 2 of the ...
99% Invisible contributor Matthew Kielty spoke with Artist Jon Lomberg; archaeologist Maureen Kaplan; and Roger Nelson, the chief scientist overseeing WIPP. ORIGINAL MUSIC provided by musician Emperor X. His song “Don’t Change Color, Kitty” is guaranteed to get stuck in your head for the next 10,000 years.
In the podcast, you translate the Carrefour Packaging labelled “Produits Libres” as “Free products.” The translation is correct, but even more correct would have been to called it “Freed products” as the correct intention of the marketing team was to intend for a tongue in cheek where the products are actually “freed” rather ...
From left: flags of Chicago and Washington, D.C., as rendered by 99% Invisible producer Avery Trufelman. Your design has to work within that tiny rectangle, because unlike other designed objects, a flag is usually seen at a distance. It is also often in motion and partially obscured. Credit: hugovk
Hey, I love this podcast! I can’t help but think about the use of the question “right?!”. As an expression of agreement or confirmation, phrased as a question, it’s a perfect candidate for using the terrobang.
When Orff debuted her “oyster-tecture” designs in 2010 (as part of an exhibit at the Museum of Modern Art called Rising Currents), they were speculative designs that sparked a lot of discussion. But Hurricane Sandy brought new attention to sea level rise and opened new funding avenues for coastal resilience projects.