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The review continued negatively stating that "it's rather disappointing to hear that this Latin-tinged, sickly-stringed sob of a ballad is where she's at musically", "we get an insipid drip of romantic gormlessness and a catalogue of cliche as deep as a river, as high as a mountain, that you'd have to be really serotonin-deficient to find ...
Subsonic. Mach 1. Supersonic. Shock wave. The sound barrier or sonic barrier is the large increase in aerodynamic drag and other undesirable effects experienced by an aircraft or other object when it approaches the speed of sound. When aircraft first approached the speed of sound, these effects were seen as constituting a barrier, making faster ...
The verses that generally constitute the modern version of the song are: I've been working on the railroad All the live-long day. I've been working on the railroad Just to pass the time away. Can't you hear the whistle blowing, Rise up so early in the morn; Can't you hear the captain shouting, "Dinah, blow your horn!" Dinah, won't you blow,
An earworm happens when you have the “inability to dislodge a song and prevent it from repeating itself” in your head, explains Steven Gordon, M.D ., neurologist at UC Health and assistant ...
Otto Harbach. Producer (s) Ray Sinatra. " Smoke Gets in Your Eyes " is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical comedy Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction ...
A noise barrier (also called a soundwall, noise wall, sound berm, sound barrier, or acoustical barrier) is an exterior structure designed to protect inhabitants of sensitive land use areas from noise pollution. Noise barriers are the most effective method of mitigating roadway, railway, and industrial noise sources – other than cessation of ...
The Sound Barrier is a 1952 British aviation drama film directed by David Lean. It is a fictional story about attempts by aircraft designers and test pilots to break the sound barrier . It was David Lean's third and final film with his wife Ann Todd but it was his first for Alexander Korda 's London Films , following the break-up of Cineguild .
When the Cowboy Church Sunday School version is played at normal speed, the vocals sound unnaturally high. When played at 33⅓ rpm instead of 45 rpm the vocals sound more natural. The song was recorded at that speed, by Stuart Hamblen's wife and adult daughter, so that when played at 45 rpm the song sounds as if it is being sung by children.