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Raisa (singer) Raisa Andriana, better known by her mononym Raisa (born in Jakarta on 6 June 1990), is an Indonesian singer and songwriter. [2] She became publicly known for her song titled "Serba Salah". [1] Before her solo career, she was one of the lead vocalists of Kevin Aprilio's band, Andante, which was later renamed Vierra (now Vierratale).
Neil Sedaka ( / səˈdækə /; born March 13, 1939) [1] is an American singer, songwriter and pianist. Since his music career began in 1957, he has sold millions of records worldwide and has written or co-written over 500 songs for himself and other artists, collaborating mostly with lyricists Howard "Howie" Greenfield and Phil Cody.
6–34. In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale, or pitch collection; which loosely serves as the harmonic and melodic basis for some of the later pieces by Russian composer Alexander Scriabin. Scriabin, however, did not use the chord directly but rather derived material from its ...
In AppleTV+’s “Lessons in Chemistry,” Larson plays a brilliant young woman who dreams of being a chemist in 1950s America, a time when society believed a woman’s place is in the home and ...
Piano key frequencies. This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4 ), tuned to 440 Hz (referred to as A440 ). [1] [2] Every octave is made of twelve steps called semitones.
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), is a common chord progression within ...
Common jazz parlance refers to upper structures by way of the interval between the root of the bottom chord and the root of the triad juxtaposed above it. [2] For instance, in example one above (C 7♯9) the triad of E ♭ major is a (compound) minor 3rd away from C (root of the bottom chord). Thus, this upper structure can be called upper ...
The Petrushka chord is defined as two simultaneous major triads separated by a tritone. In Petrushka, Stravinsky used C major on top of F ♯ major (the latter presented here in first inversion ): The device uses tones that, together, make up a synthetic hexatonic scale (0 1 4 6 7 t). When enharmonically spelled C–D ♭ –E–G ♭ –G ...