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The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
The Neapolitan nativity scene is a representation of the birth of Jesus traditionally set in Naples in the eighteenth century. [1] The Neapolitan crib art has remained unchanged for centuries, becoming part of the most consolidated and followed Christmas traditions of the city. Famous in Naples, in fact, is the well-known via dei presepi (via ...
Neapolitan presepio at the Carnegie Museum of Art in Pittsburgh Detail of an elaborate Neapolitan presepio in Rome. In the Christian tradition, a nativity scene (also known as a manger scene, crib, crèche (/ k r ɛ ʃ / or / k r eɪ ʃ /), or in Italian presepio or presepe, or Bethlehem) is the special exhibition, particularly during the Christmas season, of art objects representing the birth ...
The Nativity with Saint Francis and Saint Lawrence is a painting of the nativity of Jesus from 1609 by Italian painter Caravaggio. It has been missing since 1969 when it was stolen from the Oratory of Saint Lawrence in Palermo. Investigators believe the painting changed hands among the Sicilian Mafia in the decades following the robbery and may ...
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The nativity of Jesus, nativity of Christ, birth of Jesus or birth of Christ is documented in the biblical gospels of Luke and Matthew.The two accounts agree that Jesus was born in Bethlehem, Judaea, that his mother, Mary, was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention.
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William Blake drew and painted illustrations for John Milton 's nativity ode On the Morning of Christ's Nativity between 1803 and 1815. A total of 16 illustrations are extant: two sets of six watercolours each, and an additional four drawings in pencil. The dating of the sets is unknown, as is Blake's intended sequence for the illustrations.