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The hoopoe, center right, instructs the other birds on the Sufi path. The Conference of the Birds or Speech of the Birds ( Arabic: منطق الطیر, Manṭiq-uṭ-Ṭayr, also known as مقامات الطیور Maqāmāt-uṭ-Ṭuyūr; 1177) [ 1] is a Persian poem by Sufi poet Farid ud-Din Attar, commonly known as Attar of Nishapur.
The poet states that he composed the Faramarz-nama at the age of thirty-six and his major source is a book by Azadsarv. [2] Like other Persian writers of epic poetry who came after Ferdowsi, the author of this work was heavily influenced by the style of the Shahnameh. [1]
The Shahnameh ( Persian: شاهنامه, romanized : Šāhnāme, lit. 'The Book of Kings', modern Iranian Persian pronunciation [ʃɒːh.nɒː.ˈme] ), [ a] also transliterated Shahnama, [ b] is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran.
Post Modern Persian poetry. In 1990s a progressive evolution called Postmodern Ghazal begun in the Persian poetry leading to the modern poetry that changed the balancing principle of rhythm and rhyme of the traditional Persian poetry, as did in the Free Verse poetry following the rhythm of natural speech. Now, the center of the attention was ...
Divan Hafez is a book containing all the remaining poems of Hafez. Most of these poems are in Persian and the most crucial part of this Divan is ghazals. There are poems in other poetic formats such as piece, ode, Masnavi and quatrain in this Divan. There is no evidence that most of Hafez's poems were destroyed.
S. Saya (poem) The Secrets of Selflessness. The Secrets of the Self. Shahnameh. Sheikh San'Aan.
t. e. Divan-i Kabir ( Persian: دیوان کبیر ), also known as Divan-i Shams ( دیوان شمس) and Divan-i Shams-i Tabrizi ( دیوان شمس تبریزی ), is a collection of poems written by the Persian poet and Sufi mystic Mawlānā Jalāl-ad-Dīn Muhammad Balkhī, also known as Rumi. A compilation of lyric poems written in the ...
This school produced a distinctive style of poetry in Persian, which contrasted with "Khurasani" ("Eastern") style in its rhetorical sophistication, its innovative use of metaphor, its use of technical terminology and Christian imagery, the presence of Persian [35] archaism while borrowing from Arabic vocabulary, as well as new concepts. [30]