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The following are the lyrics sung by Bill Monroe. They are nearly the same as in the 1933's version of Cliff Carlisle with string bass and harmonica. 1. I'm going down this road feeling bad I'm going down this road feeling bad I'm going down this road feeling bad, lord, lord And I ain't a-gonna be treated this a-way. 2.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
The tune and lyrics were collected and published in Carl Sandburg's 1927 American Songbag. [9] Another important recording in this song's history was the 1927 Columbia Records master (15206-D) performed by Hugh Cross and Riley Puckett under the actual title of "Red River Valley". This version was the very first commercially available recording ...
Anchorage (song) " Anchorage " is the debut single of American singer-songwriter Michelle Shocked, released as the lead single from her first studio album, Short Sharp Shocked (1988), in September 1988. The song peaked at number 66 on the US Billboard Hot 100 and also charted in Australia, Canada, and the United Kingdom, reaching the top 75 in ...
She returns as a ghost at night, and repeats the words again, intimating her own tragic death and the couple's potential reunion in the afterlife. There are numerous alternate versions, some sung about a male lover, with different lyrics, such as "Our Wedding Day" and "My Young Love Said to Me", among others.
to "That's all it takes to be a star" (referring to the four chords themselves). On 20 July 2011, the Axis of Awesome released an official music video for "Four Chords" on their YouTube channel. Songs in the official music video: [11] Journey – "Don't Stop Believin'" James Blunt – "You're Beautiful" The Black Eyed Peas – "Where Is the Love"
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
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