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Each line of text in the above has eight beats, and usually the chords fall (piano) or begin (organ) on the capitalized words. The chord progression repeats every 8 beats, so one might think of the song as being in either 2/ time or 8/ time (whichever denominator is used for reference time, i.e. 2/4 or 8/4 time if the beat is a quarter note, etc.).
List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
Musically, "Lover, You Should've Come Over" is a folk-pop [1] and soul ballad. [2] The song has a length of 6:43, [3] and is composed in 6. 8 time and the key of D major. It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B 3 to D 6. [4] The song begins with an "ethereal, droning" [5 ...
Keyboard Cat is a video-based internet meme. Its original form was a video made in 1984 by Charlie Schmidt of his cat Fatso seemingly playing a musical keyboard (though manipulated by Schmidt off-camera) to a cheery tune. While Schmidt had uploaded the video himself to YouTube in 2007, Brad O'Farrell, with Schmidt's permission, appended the ...
help. " Year of the Cat " is a song by Scottish singer-songwriter Al Stewart, released as a single in July 1976 in the UK (October 1976 in the US). The song is the title track of his 1976 album Year of the Cat, and was recorded at Abbey Road Studios, London, in January 1976 by engineer Alan Parsons. The song peaked at number 8 on the Billboard ...
Related: Cat Who Plays the Piano Like a Human Is a Regular Mozart. Can Cats and Dogs Get Along? A few commenters pointed out that the cat and dog were so 'chill' together. I didn't think it was ...
Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, published in 1851, and is by far the most famous of the set. In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons.
The Petrushka chord is defined as two simultaneous major triads separated by a tritone. In Petrushka, Stravinsky used C major on top of F ♯ major (the latter presented here in first inversion ): The device uses tones that, together, make up a synthetic hexatonic scale (0 1 4 6 7 t). When enharmonically spelled C–D ♭ –E–G ♭ –G ...
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