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Extended metaphor. An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to ...
O Captain! My Captain! at Wikisource. " O Captain! My Captain! " is an extended metaphor poem written by Walt Whitman in 1865 about the death of U.S. president Abraham Lincoln. Well received upon publication, the poem was Whitman's first to be anthologized and the most popular during his lifetime. Together with "When Lilacs Last in the Dooryard ...
The dreamer stands on the other side of the stream from the Pearl-maiden. Pearl is one of the greatest allegories from the High Middle Ages. [ 1] As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political ...
John Donne ( / dʌn / DUN; 1571 or 1572 [ a] – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. [ 2] Under Royal Patronage, he was made Dean of St Paul's Cathedral in London (1621–1631). [ 1] He is considered the preeminent representative of ...
Crossing the Bar. " Crossing the Bar " is an 1889 poem by Alfred, Lord Tennyson. It is considered that Tennyson wrote it in elegy; the narrator uses an extended metaphor to compare death with crossing the "sandbar" between the river of life, with its outgoing "flood", and the ocean that lies beyond death, the "boundless deep", to which we return.
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. [ 1] It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an analogy.
The poem uses the conceit of a flea, which has sucked blood from the male speaker and his female lover, to serve as an extended metaphor for the relationship between them. The speaker tries to convince a lady to sleep with him, arguing that if their blood mingling in the flea is innocent, then sexual mingling would also be innocent.
The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
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