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An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
Metaphors are usually meant to create a likeness or an analogy. [2] Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. [3] One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from As You Like It:
The dreamer stands on the other side of the stream from the Pearl-maiden. Pearl is one of the greatest allegories from the High Middle Ages. [ 1] As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political ...
Scholars have noted that the form of the poem follows the content: the wavelike quality of the long-then-short lines parallels the narrative thread of the poem. The extended metaphor of "crossing the bar" represents travelling serenely and securely from life into death. The Pilot is a metaphor for God, whom the speaker hopes to meet face to face.
Literature. A parable is a succinct, didactic story, in prose or verse, that illustrates one or more instructive lessons or principles. It differs from a fable in that fables employ animals, plants, inanimate objects, or forces of nature as characters, whereas parables have human characters. [ 1] A parable is a type of metaphorical analogy. [ 2]
Overview. William Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. [ 1] The poetry depends on extended, elaborate metaphors and conceits, and the language is often rhetorical —written for actors ...
The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
Guibbory uses "A Valediction" to highlight Donne's status as "master of the monosyllable, the small word that holds the line taut" with his use of the word "beat" rather than "spun" in the analogy of beaten gold, [28] while Ian Ousby uses the compass metaphor as an example of Donne's skill at weaving conceits "sometimes extended throughout an ...
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