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Phonk ( / fɒŋk / ⓘ) is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The style is characterized by vocals from old Memphis rap tapes and samples from early 1990s hip hop, especially cowbell samples resembling that of the Roland TR-808 drum machine. The genre draws from the dark, distortive techniques of the ...
The game's main playable character, Boyfriend. Friday Night Funkin' is a rhythm game in which the player controls a character called Boyfriend, who must defeat a series of opponents in order to continue dating his significant other, Girlfriend. The player must pass multiple levels, referred to as "Weeks" in-game, containing three songs each.
A minimal bedroom studio set-up with 1980s–1990s equipment. Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality ( fidelity ...
Save Your Tears. " Save Your Tears " is a song by the Canadian singer-songwriter the Weeknd from his fourth studio album, After Hours (2020). It was released to Dutch contemporary hit radio on August 9, 2020 as the album's fourth and final single. The song was written and produced by the Weeknd, Max Martin, and Oscar Holter, with Belly and ...
Chuck Philips, Los Angeles Times, 1992 Gangsta rap is a subgenre of hip hop that reflects the violent lifestyles of inner-city American black youths. Gangsta is a non-rhotic pronunciation of the word gangster. The genre was pioneered in the mid-1980s by rappers such as Schoolly D and Ice-T, and was popularized in the later part of the 1980s by groups like N.W.A. In 1985 Schoolly D released "P ...
Hip house. Hip house, also known as rap house or house rap, is a musical genre that mixes elements of house music and hip hop music, that originated in both London, United Kingdom and Chicago, United States in the mid-to-late 1980s. [ 1]
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
Odetari's music has been described as EDM [1] and sigilkore. [5] [10] Odetari has referred to his music as "Odecore". [11]He has described it as "final boss music". Ethan Shanfeld of Variety wrote that his combine "pitched-up rap hooks, glitchy trap flare and menacing club beats" and are "tailored to a young, overstimulated audience" due to their shorter length. [2]