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The music video of "Spit Out the Bone" was released on November 17, 2016, and was directed by Phil Mucci. [16] In keeping with the song's transhumanistic themes, [8] the video shows a group of renegade humans revolting against machine rule. [17]
The song is about an unnamed feeling (which, according to James Hetfield, is anxiety) that a person feels when they are close to the edge of losing control, just before he or she panics. Along with a music video, the song was released as a single exclusively to Australia. It was released as part of an E.P. in the UK.
Lead guitarist Kirk Hammett was credited with songwriting on every Metallica album from Ride the Lightning to Death Magnetic. Metallica's original lead guitarist Dave Mustaine co-wrote a number of the band's early songs. Bassist Jason Newsted joined in 1986, performed on four studio albums and co-wrote three songs.
Ride the Lightning is the second studio album by the American heavy metal band Metallica, released on July 27, 1984, by the independent record label Megaforce Records.The album was recorded in three weeks with producer Flemming Rasmussen at Sweet Silence Studios in Copenhagen, Denmark.
The song is referenced in a parody on The Carol Burnett Show (season 7 episode 25), in which a non-existent song, "The Night My Tights Gave Out in Georgia" is mentioned during a sketch set against the backdrop of a music awards show.
"Inamorata" is a song by American thrash metal band Metallica, first released on their eleventh studio album 72 Seasons as the final track, and as of its release is the longest original song by the band, being 1 minute and 13 seconds longer than the previous record holder, "Suicide and Redemption" from the 2008 album Death Magnetic.
Metallica: Through the Never is a soundtrack album for the film of the same name, consisting of live recordings by American heavy metal band Metallica. [4] It was released on September 24, 2013, via Blackened Recordings and has charted in several countries.
"Orion" is a multipart instrumental highlighting Burton's bass playing. A majority of the song was written by Burton, including the guitar solos. [4] It opens with a fade-in bass section, heavily processed to resemble an orchestra.