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Wealthy, educated Filipinos introduced secular art during the 19th century. The number of watercolour paintings increased, and subjects began to include landscapes, Filipino people and fashion, and government officials. Portraits included self-portraits, Filipino jewelry, and native furniture.
The architecture of the Philippines reflects the historical and cultural traditions in the country. Most prominent historic structures in the archipelago are influenced by Austronesian and American architectures. During three hundred thirty years of Spanish colonization, the Philippine architecture was dominated by the Spanish influences.
Neoclassical architecture. Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. [ 1] It became one of the most prominent architectural styles in the Western world. [ 2]
Baro't saya. La Bulaqueña, an 1895 painting by Juan Luna of an upper class woman from Bulacan wearing a traje de mestiza. The painting is sometimes referred to as the " María Clara " due to the woman's dress. The baro’t saya or baro at saya (literally "blouse and skirt") is a traditional dress ensemble worn by women in the Philippines.
The clothing style and fashion sense of the Philippines in the modern-day era have been influenced by the indigenous peoples, Chinese waves of immigration, the Spaniards, and the Americans, as evidenced by the chronology of events that occurred in Philippine history. At present, Filipinos conform their way of dressing based on classic fashion ...
José Honorato Lozano (1815 or 1821-1885) was a Filipino painter born in Manila.He is best known as the pioneering practitioner of the art form known as Letras y figuras, in which the letters of a patron's name is composed primarily by contoured arrangements of human figures surrounded by vignettes of scenes in Manila - an art form that may have derived loosely from illuminated manuscripts.
The Propaganda Movement had been key in the formation of the Philippine national consciousness in the 19th century. [77] In the 20th century, the proclamation of Martial law under Ferdinand Marcos - and the subsequent human rights abuses which came with it - led to the prominence of protest art in Filipino popular culture. [78] [79]
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3] He was recognized as such for his "pioneering use of impressionistic technique" as well ...