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Frontispiece. An Essay on Criticism is one of the first major poems written by the English writer Alexander Pope (1688–1744), published in 1711. It is the source of the famous quotations "To err is human; to forgive, divine", "A little learning is a dang'rous thing" (frequently misquoted as "A little knowledge is a dang'rous thing"), and "Fools rush in where angels fear to tread".
The Essay also proposed ideas on weights and measure similar to those later found in the metric system. [citation needed] The botanical section of the essay was contributed by John Ray; Robert Morison's criticism of Ray's work began a prolonged dispute between the two men. Related efforts, discussions, and literary references
All models are wrong. All models are wrong is a common aphorism and anapodoton in statistics; it is often expanded as "All models are wrong, but some are useful". The aphorism acknowledges that statistical models always fall short of the complexities of reality but can still be useful nonetheless.
On life: “I think life is a whole series of opportunity costs. You know, you got to marry the best person who is convenient to find who will have you. Investment is much the same sort of a ...
West is the lead author of a new study recently published in the journal BMJ Public Health that found that getting between 7 and 9 hours of sleep each night was optimal for brain health. The ...
—Edgar Allan Poe "Not the least obeisance made he" (7:3), as illustrated by Gustave Doré (1884) "The Raven" follows an unnamed narrator on a dreary night in December who sits reading "forgotten lore" by the remains of a fire as a way to forget the death of his beloved Lenore. A "tapping at [his] chamber door" reveals nothing, but excites his soul to "burning". The tapping is repeated ...
Bermema and her cohort of homeowner-hopefuls don’t exactly need another dose of bad news, but even if mortgage rates and home inventory improves, those high tax rates aren’t about to follow ...
The features were quite marked: the nose aquiline or very Roman, like one of the portraits of Caesar (more like a beak, as was said); large overhanging brows above the deepest set blue eyes that could be seen, in certain lights, and in others gray,—eyes expressive of all shades of feeling, but never weak or near-sighted; the forehead not ...