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John in the Bible. John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" (verse 13). The Son of Man is portrayed in this vision as having a robe with a golden ...
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ. Catholic tradition places the Flagellation on the ...
The story is sometimes thought of as a loose adaptation of one in the Gospel of Mark, of the healing of a blind man called Bartimaeus, but in fact is a different story, The healing of Bartimaeus takes place near Jericho, involves two men who call out from the roadside as Jesus passes by, and comes later in Matthew 20:29-34.
The Mote and the Beam is a parable of Jesus given in the Sermon on the Mount [1] in the Gospel of Matthew, chapter 7, verses 1 to 5. The discourse is fairly brief, and begins by warning his followers of the dangers of judging others, stating that they too would be judged by the same standard. The Sermon on the Plain has a similar passage in ...
The Penitent Thief, also known as the Good Thief, Wise Thief, Grateful Thief, or Thief on the Cross, is one of two unnamed thieves in Luke's account of the crucifixion of Jesus in the New Testament. The Gospel of Luke describes him asking Jesus to "remember him" when Jesus comes into his kingdom. The other, as the impenitent thief, challenges ...
The seven rays is a concept that has appeared in several religions and esoteric philosophies in both Western culture and in India since at least the sixth century BCE. [1]In occidental culture, it can be seen in early Western mystery traditions, such as Gnosticism and Mithraism, and in texts and iconic art of the Catholic Church as early as the Byzantine Empire.
In Judaism and Christianity, the concept is the manifestation of God rather than a remote immanence or delegation of an angel, even though a mortal would not be able to gaze directly upon him. [4] In Jewish mysticism, it is traditionally believed that even the angels who attend him cannot endure seeing the divine countenance directly. [5]
The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish. I also promise victory over enemies already here on earth, especially at the hour of death.