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WBHJ – 95.7 Jamz – Rhythmic contemporary hit radio ( Urban contemporary hit radio) WBHK – 98.7 Kiss FM – Urban adult contemporary. WMJJ-HD2 – 104.1 The Beat – Mainstream urban. WUHT – Hot 107.7 – Urban adult contemporary. WERC-HD2 – Hallelujah 105.1 – Urban contemporary gospel. WERC-HD3 – B106.5 – Urban adult contemporary.
KRRL. / 34.22667°N 118.06583°W / 34.22667; -118.06583. KRRL (92.3 FM) – branded Real 92.3 – is a commercial urban contemporary radio station licensed to Los Angeles, California, serving much of the Greater Los Angeles area. Owned by iHeartMedia, KRRL serves as the flagship for Big Boy's Neighborhood. The KRRL studios are located ...
The following is a list of radio stations owned by Audacy, Inc. As of June 2023, Audacy (then known as Entercom) operates 227 radio stations in 45 media markets across the United States . On February 2, 2017, Entercom announced that it had agreed to acquire CBS Radio. The purchase gave Entercom operations in 23 of the top 25 markets, making it ...
In 1983, KDAY-AM became the first radio station to play wall-to-wall rap music, thanks to an ambitious new music director and some soon-to-be famous DJs. When L.A. invented rap radio: The rise of KDAY
In Los Angeles, a network of mixtape DJs played a vital role in introducing listeners to up-and-coming local rappers and the latest commercial hip-hop records from the East Coast.
The classic hip-hop format dates back to 2004, when KZAB, a Spanish-language FM station serving the Los Angeles area, was re-launched as KDAY.The re-launched station served to capitalize on the heritage of the original KDAY on the AM dial (now KBLA), which in the 1980s was the first radio station in the United States to play hip-hop music on a full-time basis.
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East Coast hip hop is a regional subgenre of hip hop music that originated in New York City during the 1970s. [3] [4] Hip hop is recognized to have originated and evolved first in The Bronx, New York City. [5] In contrast to other styles, East Coast hip hop music prioritizes complex lyrics for attentive listening rather than beats for dancing. [5]