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"Brand New Day" is a song by British musician Sting, the title track of his sixth studio album (1999). The song features Stevie Wonder on harmonica. [ 2 ] It was released as a single on 13 September 1999, peaking at number 13 in the United Kingdom and reaching the top 40 on two Canadian charts.
Brand New Day is the sixth solo studio album by English musician Sting, released by A&M Records on 27 September 1999. Promoted heavily by the success of the album's second single, "Desert Rose" (featuring popular Algerian Raï singer Cheb Mami), the album peaked at number nine on the Billboard 200 and sold over 3.5 million copies in the United States.
Covered California is the health insurance marketplace in the U.S. state of California established under the federal Patient Protection and Affordable Care Act (ACA). The exchange enables eligible individuals and small businesses to purchase private health insurance coverage at federally subsidized rates. It is administered by an independent ...
Taylor Swift Parties in Vivienne Westwood While in London, Plus Chris Hemsworth, Jessica Biel, Liam Payne and More
David Clayton-Thomas. David Clayton-Thomas (born David Henry Thomsett; 13 September 1941) is a Grammy Award-winning Canadian musician, singer, and songwriter, best known as the lead vocalist of the American band Blood, Sweat & Tears. Clayton-Thomas has been inducted into the Canadian Music Hall of Fame and in 2007 his jazz/rock composition ...
The group didn’t score their first No. 1 hit until 2005 after being dropped by their record label in 2002, but even the song’s success didn’t come without personal heartbreak.
—Sting on quitting the band in 1984. According to Sting, appearing in the documentary Last Play at Shea, he decided to leave the Police while onstage during a concert of 18 August 1983 at Shea Stadium in New York City because he felt that playing that venue was "[Mount] Everest". While never formally breaking up, after Synchronicity, the group agreed to concentrate on solo projects. As the ...
The songs on the album are a blend of funk (Watkins), hip-hop (Lopes), and R&B (Thomas), similar to the new jack-swing sound popularized by producer Teddy Riley in the late 1980s. [14] The album was a critical and commercial success, being certified quadruple-platinum for shipments of four million copies in the United States.