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Les mille et une nuits, contes arabes traduits en français ( lit. 'The Thousand and One Nights, Arab stories translated into French' ), published in 12 volumes between 1704 and 1717, was the first European version of The Thousand and One Nights tales. The French translation by Antoine Galland (1646–1715) derived from an Arabic text of the ...
The Imp Prince (known as Le Prince Lutin in French) is a French fairy tale written by Marie Catherine d'Aulnoy and published in her book Fairy Tales ( Les Contes des Fees) in 1697. The word Lutin, in French, can have several translations and meanings. A Lutin was like an imp or hobgoblin in the mythology of Normandy, [ 1] similar to house ...
Title page of the 1695 manuscript of Charles Perrault's Contes de ma mère l'Oye (The Morgan Library & Museum, New York). Histoires ou contes du temps passé, avec des moralités or Contes de ma mère l'Oye (Stories or Tales from Past Times, with Morals or Mother Goose Tales) is a collection of literary fairy tales written by Charles Perrault, published in Paris in 1697.
The Feather of Finist the Falcon; The Green Knight. " The Blue Bird " ( French: L’oiseau bleu) is a French literary fairy tale by Madame d'Aulnoy, published in 1697. [1] An English translation was included in The Green Fairy Book, 1892, collected by Andrew Lang. [2] [3] [4]
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Madame d'Aulnoy. Marie-Catherine Le Jumel de Barneville, Baroness d'Aulnoy (1650/1651 – 14 January 1705), [ 1] also known as Countess d'Aulnoy, was a French author known for her literary fairy tales. Her 1697 novel “Contées Des Fairies” (Fairy-Tales) coined the literary genre’s name and was the first fable to feature “Prince Charmant ...
A lawyer at the Châtelet de Paris, then substitute for the procureur du roi, Gueullette was a bibliophile and collector who collected several placards and journals of his time, His several works on the Théâtre-Italien, which survive in manuscript, formed the basis for the Parfaict brothers in their Histoire de l'ancien Théâtre Italien.
Fantasy. Fantastique is a French term for a literary and cinematic genre and mode that is characterized by the intrusion of supernatural elements into the realistic framework of a story, accompanied by uncertainty about their existence. The concept comes from the French literary and critical tradition, and is distinguished from the word ...