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a nine-line syllabic form with the pattern two, four, six, eight, two, eight, six, four, two. Crown cinquain. a sequence of five cinquain stanzas functioning to construct one larger poem. Garland cinquain. a series of six cinquains in which the last is formed of lines from the preceding five, typically line one from stanza one, line two from ...
Unlike the Ambahan whose length is indefinite, the Tanaga is a seven-syllable quatrain. Poets test their skills at rhyme, meter and metaphor through the Tanaga because is it rhymed and measured, while it exacts skillful use of words to create a puzzle that demands an answer. It was a dying art form, but the Cultural Center of the Philippines ...
Quintain (poetry) A quintain or pentastich is any poetic form containing five lines. Examples include the tanka, the cinquain, the quintilla, Shakespeare's Sonnet 99, and the limerick .
The Road Not Taken. " The Road Not Taken " is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation ...
Rhyme scheme. A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick :
Couplet. In poetry, a couplet or distich is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the ...
Bienvenido L. Lumbera (April 11, 1932 – September 28, 2021) was a Filipino poet, critic and dramatist. Lumbera is known for his nationalist writing and for his leading role in the Filipinization movement in Philippine literature in the 1960s, which resulted in his being one of the many writers and academics jailed during Ferdinand Marcos' Martial Law regime.
The villanelle consists of five stanzas of three lines followed by a single stanza of four lines (a quatrain) for a total of nineteen lines. [21] It is structured by two repeating rhymes and two refrains : the first line of the first stanza serves as the last line of the second and fourth stanzas, and the third line of the first stanza serves ...