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The syndicated internet radio countdown program "What's your Twenty" [15] is named after the code for location. The Chicago Police Department uses the radio code '10-1', which means an officer needs urgent help right away. The Chicago P.D. (TV series) TV show also uses '10-1' as well. [16]
Listening to the CB while driving (also known as "10-10 in the wind"). 10-70 Report a fire 10-100 Restroom break. 10-200 Police needed at _____. (In the trucking-themed movie Smokey and the Bandit, a character jokingly plays off this usage, saying that 10-100 is better than 10-200, meaning that 10-100 was peeing and 10-200 was doing a #2.) 20
Imagism. The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist ...
"All in the golden afternoon" is the preface poem in Lewis Carroll's 1865 book Alice's Adventures in Wonderland.The introductory poem recalls the afternoon that he improvised the story about Alice in Wonderland while on a boat trip from Oxford to Godstow, for the benefit of the three Liddell sisters: Lorina Charlotte (the flashing "Prima"), Alice Pleasance (the hoping "Secunda"), and Edith ...
CIL 4.5296 (or CLE 950) [ a] is a poem found graffitied on the wall of a hallway in Pompeii. Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world. The poem is nine verses long, breaking off in the middle of the ...
50 friendship quotes. "A day without a friend is like a pot without a single drop of honey left inside." – Winnie the Pooh. "A friend is someone who knows all about you and still loves you ...
The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
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