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A music video followed. [6] "W.I.T.C.H." is an acronym for "Woman In Total Control (of) Herself". [6] Cole described the song as reclaiming "the witch as a symbol of women's resistance. It celebrates women's strength, autonomy, and rebellion". [1] The song was written by Nelson, Cole and Alexandra Soumalias, and produced by Nelson. [5]
"The Magician's Apprentice" is the first episode of the ninth series of the British science fiction television series Doctor Who. [1] It was first broadcast on BBC One on 19 September 2015. [ 2 ] The episode was written by showrunner Steven Moffat and directed by Hettie MacDonald .
Ross S. Bagdasarian [a] (/ b æ ɡ d ə ˈ s ɛ r i ə n /; January 27, 1919 – January 16, 1972), known professionally by his stage name David "Dave" Seville, [3] was an American singer, songwriter, record producer, and actor, best known for creating the cartoon band Alvin and the Chipmunks.
Cartoons, also known as Cartoons DK, are a Eurodance band from Denmark, best known for their song "DooDah!" and their cover of the 1958 novelty song "Witch Doctor", both hits released in 1998. The group wears outlandish plastic costumes and wigs in live performances as caricatures of 1950s American rock and roll stars.
The topic of witchcraft is often brought up in songs, and is present in the music culture in Ghana. Hearing about the topic through music adds to its broader relevance in its culture. Sang in Akan, the dominant non-English language in Ghana, popular songs reference witchcraft as explanation for things such as infertility, alcoholism, and death. [5]
"Witch Hunt" is a song by Canadian rock band Rush. It was released on their 1981 album Moving Pictures , and unlike many other Rush songs it was a true studio production, with a variety of percussion instruments and overdubs , and a separate keyboard player.
The video was originally taken down from YouTube due to featuring (partially censored) nudity. [1] The song and video, which chronicle Hopsin's experience paying for sexual services at an Asian massage parlor, received nearly universally negative reviews from music critics and drew backlash for its racist and sexist depiction of Asian women.
On review aggregator Rotten Tomatoes, the film holds an approval rating of 89% based on 18 reviews, with an average rating of 8.7/10. [15]Elizabeth Kerr of The Hollywood Reporter gave a positive review and wrote, "An ever-so-delicate twist on the Korean revenge thriller.