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Aeneas Flees Burning Troy, by Federico Barocci (1598). Galleria Borghese, Rome, Italy Map of Aeneas' fictional journey. The Aeneid (/ ɪ ˈ n iː ɪ d / ih-NEE-id; Latin: Aenē̆is [ae̯ˈneːɪs] or [ˈae̯neɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.
The Aeneid was written during a period of political unrest in Rome. The Roman republic had effectively been abolished, and Octavian ( Augustus Caesar) had taken over as the leader of the new Roman empire. The Aeneid was written to praise Augustus by drawing parallels between him and the protagonist, Aeneas. Virgil does so by mirroring Caesar ...
The gates of horn and ivory are a literary image used to distinguish true dreams (corresponding to factual occurrences) from false. The phrase originated in the Greek language, in which the word for "horn" is similar to that for "fulfill" and the word for "ivory" is similar to that for "deceive". On the basis of that play on words, true dreams ...
Horsfall specialised in the works of the Roman poet Vergil, whose Aeneid was the subject of his University of Oxford doctoral thesis; he published a commentary on Aeneid Book 7 in 2000, followed by Books 11 (2003), 3 (2006), 2 (2008), and 6 (2013) – "one of the most remarkably productive and rich periods of publication of any modern classicist", according to the Latinist James O'Hara, who ...
Lacrimae rerum ( Latin: [ˈlakrɪmae̯ ˈreːrũː] [ 1]) is the Latin phrase for "tears of things." It derives from Book I, line 462 of the Aeneid (c. 29–19 BC), by Roman poet Virgil (Publius Vergilius Maro) (70–19 BC). Some recent quotations have included rerum lacrimae sunt or sunt lacrimae rerum meaning "there are tears of (or for) things."
Arsis and thesis. Catalexis. v. t. e. Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or ...
Julian Ward Jones, Jr., in his article "The So-Called Silvestris Commentary on the Aeneid and Two Other Interpretations", attempts to clear up the issue of the authorship of the Aeneid commentary by distinguishing two distinct positions: the first by E. R. Smits, and the second by Christopher Baswell. Smits's account is rejected by Jones, who ...
A narrative work beginning in medias res ( Classical Latin: [ɪn ˈmɛdɪ.aːs ˈreːs], lit. "into the middle of things") opens in the chronological middle of the plot, rather than at the beginning ( cf. ab ovo, ab initio ). [ 1] Often, exposition is initially bypassed, instead filled in gradually through dialogue, flashbacks, or description ...
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