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Road Trips Volume 3 Number 3 is a live album by the American rock band the Grateful Dead. [ 2 ] [ 3 ] Recorded on May 15, 1970, and released on June 14, 2010, it was the 11th of the "Road Trips" series of albums, and the first to contain three discs instead of two.
Volume 3 featured the WCPAEB's most ambitious music to date, and the striking cover art of John Van Hamersveld, yet it failed to sell in sufficient copies to chart nationally. In more recent times, the album has been considered the band's most accomplished work and a masterpiece of the psychedelic genre.
Specifically, to count as a legitimate view, a user must intentionally initiate the playback of the video and play at least 30 seconds of the video (or the entire video for shorter videos). Additionally, while replays count as views, there is a limit of 4 or 5 views per IP address during a 24-hour period, after which point, no further views ...
Pebbles, Volume 3, subtitled The Acid Gallery, is a compilation album featuring American underground psychedelic rock musical artists from the 1960s. It is the third installment of the Pebbles series and was released on BFD Records in 1979 ( see 1979 in music ).
Nev Schulman, host of "Catfish," has revealed he feels "lucky to be here" following a recent bike accident that resulted in a broken neck. The 39-year-old shared his story on Instagram, sharing he ...
Kissology Volume Three: 1992–2000 is a DVD/Home Video released by Kiss and VH1 Classic Records. It was issued on December 18, 2007. Kissology Volume Three is the third installment of the Kiss archival video series. The set covers the band's 1990s career on three discs, with a special fourth disc included that contains the earliest known ...
“Thanks Carrie, warm us up! It’s Football Season College & NFL,” one fan commented on the NBC SNF countdown post showcasing snippets of Carrie’s opening performance.
Fellow Voice critic Miles Marshall Lewis called Jay-Z "the best MC in hip hop" and Vol. 3… "the quintessential 2000-model hip hop album". [16] Soren Baker was less impressed in the Los Angeles Times , writing that the record lacks the "biting humor and spectacular wordplay" of his previous albums.