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Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
Juan Luna. Juan Luna de San Pedro y Novicio Ancheta ( Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 25, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
Asuncion was one of the leading Filipino painters in the 19th century. In 1834, he studied at Escuela de Dibujo, where he obtained his skills in painting. Sometime in 1855, he became capitan municipal of Santa Cruz, Manila. Asuncion was the painter of the famous Coronation of the Virgin, the Virgin of Antipolo, Filomena Asuncion, and Romana A ...
Damián Domingo y Gabor (February 12, 1796 – July 27, 1834) was the father of Philippine painting. Domingo established the official Philippine art academy in his residence in Tondo in 1821. Domingo established the official Philippine art academy in his residence in Tondo in 1821.
José Honorato Lozano (1815 or 1821-1885) was a Filipino painter born in Manila.He is best known as the pioneering practitioner of the art form known as Letras y figuras, in which the letters of a patron's name is composed primarily by contoured arrangements of human figures surrounded by vignettes of scenes in Manila - an art form that may have derived loosely from illuminated manuscripts.
4.22 m × 7.675 m (13.8 ft × 25.18 ft) Location. National Museum of Fine Arts, Manila. The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid ...
Baro't saya. La Bulaqueña, an 1895 painting by Juan Luna of an upper class woman from Bulacan wearing a traje de mestiza. The painting is sometimes referred to as the " María Clara " due to the woman's dress. The baro’t saya or baro at saya (literally "blouse and skirt") is a traditional dress ensemble worn by women in the Philippines.
Pages in category "19th-century Filipino painters". The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes .