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A telephoto lens, also known as telelens, is a specific type of a long-focus lens used in photography and cinematography, in which the physical length of the lens is shorter than the focal length. [1] : 93 This is achieved by incorporating a special lens group known as a telephoto group that extends the light path to create a long-focus lens in ...
Tilt-lens photo of a model train. Note how the focus plane is along the train, and how the blurring of the background proceeds from left to right. Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras .
35 mm equivalent focal length. The resulting images from 50 mm and 70 mm lenses for different sensor sizes; 36x24 mm (red) and 24x18 mm (blue) In photography, the 35 mm equivalent focal length is a measure of the angle of view for a particular combination of a camera lens and film or image sensor size. The term is popular because in the early ...
As the entire drum is horizontally pivoted on the lens's rear nodal point, the slit wipes an extra-wide-aspect image onto film held against a curved focal plane. The Widelux produced a 140° wide image in a 24×59 mm frame on 135 film with a Lux 26 mm f/2.8 lens and controlled shutter speed by varying rotation speed on a fixed slit width.
Oakley, Inc. is an American company headquartered in Foothill Ranch, California, which is an autonomous subsidiary of Luxottica.The company designs, develops and manufactures sports performance equipment and lifestyle pieces including sunglasses, safety glasses, eyeglasses, sports visors, ski/snowboard goggles, watches, apparel, backpacks, shoes, optical frames, and other accessories.
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See Canon EF lenses for the product line-up. See Canon EF-S lenses for the product line-up. EF-S lenses are built for APS-C 1.6x crop sensors, so they only work with models that use this sensor size. When EF-S lenses are used on a 35mm (full frame) camera the back element will hit the mirror assembly or cause substantial vignetting since the ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...