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Poet Dylan Thomas c. 1937–1938. " Do not go gentle into that good night " is a poem in the form of a villanelle by Welsh poet Dylan Thomas (1914–1953), and is one of his best-known works. [1] Though first published in the journal Botteghe Oscure in 1951, [2] the poem was written in 1947 while Thomas visited Florence with his family.
The Road Not Taken. " The Road Not Taken " is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation ...
The Artist. In this prose poem, an artist is filled with the desire to create an image of "The Pleasure that abideth for a Moment". Able to fashion this image out of bronze only, he searches the world for the metal but all he can find is the bronze of one of his earlier pieces, "The Sorrow that endureth for Ever".
See media help. "How They Brought the Good News from Ghent to Aix" is a poem by Robert Browning published in Dramatic Romances and Lyrics, 1845. [1] The poem, one of the volume's "dramatic romances", is a first-person narrative told, in breathless galloping meter, by one of three riders; the midnight errand is urgent—"the news which alone ...
Pets are good for your brain health. It makes sense that walking a dog regularly would help keep you fit and in a happier mood. But for older adults, owning a pet is also linked to better ...
"Make 'Em Laugh" is a song first featured in the 1952 MGM musical film Singin' in the Rain, performed by Donald O'Connor as the character Cosmo Brown. Written by Arthur Freed and Nacio Herb Brown , [1] the song is closely based on Cole Porter 's " Be a Clown " from the Freed-produced 1948 MGM musical film The Pirate , in which it was sung by ...
The sad clown paradox is the contradictory association, in performers, between comedy and mental disorders such as depression and anxiety. [1] [2] For those affected, early life is characterised by feelings of deprivation and isolation, where comedy evolves as a release for tension, removing feelings of suppressed physical rage through a verbal ...
The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard.