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Day After Day (Badfinger song) " Day After Day " is a song by the British rock band Badfinger from their 1971 album Straight Up. It was written by Pete Ham and produced by George Harrison, who also plays slide guitar on the recording. The song was issued as a single and became Badfinger's biggest hit, charting at number 4 in the United States ...
Brothers Don and Ross Barbour grew up in a musical family in Columbus, Indiana, and had sung with their cousin Bob Flanigan as kids.In 1947, while attending the Arthur Jordan Conservatory of Music at Butler University in Indianapolis, Indiana, music theory classmate Hal Kratzsch convinced the Barbours that forming a barbershop quartet would be a great source of income, so they formed a ...
A FuniChar D-616 guitar with a Drop D tuning. It has an unusual additional fretboard that extends onto the headstock. Most guitarists obtain a Drop D tuning by detuning the low E string a tone down. This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open ...
The verses that generally constitute the modern version of the song are: [4] I've been working on the railroad All the live-long day. I've been working on the railroad Just to pass the time away. Can't you hear the whistle blowing, Rise up so early in the morn; Can't you hear the captain shouting, "Dinah, blow your horn!" Dinah, won't you blow,
It's All Too Much. " It's All Too Much " is a song by the English rock band the Beatles from their 1969 album Yellow Submarine. Written by George Harrison in 1967, it conveys the ideological themes of that year's Summer of Love. The Beatles recorded the track in May 1967, a month after completing their album Sgt. Pepper's Lonely Hearts Club Band.
Lyricist (s) William Bell. " Born Under a Bad Sign " is a blues song recorded by American blues singer and guitarist Albert King in 1967. Called "a timeless staple of the blues", [ 2] the song also had strong crossover appeal to the rock audience with its synchronous bass and guitar lines and topical astrology reference. [ 3] ".
– Ray Davies "You Really Got Me" was written by Ray Davies, the Kinks' vocalist and main songwriter, sometime between 9 and 12 March 1964. Created on the piano in the front room of the Davies' home, the song was stylistically very different from the finished product, being much lighter and somewhat jazz-oriented. Ray said of the song's writing, "When I came up with ['You Really Got Me'] I ...
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.