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"One Hell of a Woman" is a 1974 song (see 1974 in music) by the American singer-songwriter Mac Davis. The song was written by Davis and Mark James.. Released as a single from his album Stop and Smell the Roses, the song became Davis' second Top 20 hit on the U.S. pop chart, where it peaked at No. 11 in the fall of 1974.
During the 1970s, many of his songs "crossed over", successfully scoring on both the country and popular music charts, including "Baby Don't Get Hooked on Me" [2] (a number one Grammy-nominated success), "One Hell of a Woman" (pop no. 11), and "Stop and Smell the Roses" (a no. 9 pop hit). [2]
Gallery singles chronology. "Nice to Be with You". (1972) " I Believe in Music ". (1972) "Big City Miss Ruth Ann". (1972) " I Believe in Music " is a 1970 song written and recorded by Mac Davis and later included on his second album I Believe in Music. [4] Gallery covered it in 1972 as the second of three singles off their Nice to Be with You ...
Mac Davis discography. Mac Davis was an American country pop artist. His discography consists of 19 studio albums and 38 singles. Thirty of those singles charted on the U.S. Billboard Hot Country Songs chart between 1970 and 1986. [ 1] He is best known for the song " Baby Don't Get Hooked on Me ."
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Baby Don't Get Hooked on Me. " Baby Don't Get Hooked on Me " is a hit song by country and pop singer-songwriter Mac Davis. From his breakthrough album of the same name, the song reached No.1 on both the Billboard Hot 100 and Easy Listening charts in September 1972, spending three weeks atop each chart. Billboard ranked it as the No.8 song of 1972.
Mac Davis singles chronology. "One Hell of a Woman". (1974) " Stop and Smell the Roses ". (1974) "Rock 'N' Roll (I Gave You the Best Years of My Life)" (1975) " Stop and Smell the Roses " is a 1974 song by the American singer-songwriter Mac Davis. The song was written by Davis and the noted bandleader and trumpeter Doc Severinsen .
I Believe in Music is the second album released by singer-songwriter and actor Mac Davis. It was released in 1971, although the title song had already charted in 1970. [1] The title track went on to become a standard and was covered by many artists in the 1970s, including a top 30 pop hit by Gallery in 1972.