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a nine-line syllabic form with the pattern two, four, six, eight, two, eight, six, four, two. Crown cinquain. a sequence of five cinquain stanzas functioning to construct one larger poem. Garland cinquain. a series of six cinquains in which the last is formed of lines from the preceding five, typically line one from stanza one, line two from ...
The Road Not Taken. " The Road Not Taken " is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation ...
Quintain (poetry) A quintain or pentastich is any poetic form containing five lines. Examples include the tanka, the cinquain, the quintilla, Shakespeare's Sonnet 99, and the limerick .
Unlike the Ambahan whose length is indefinite, the Tanaga is a seven-syllable quatrain. Poets test their skills at rhyme, meter and metaphor through the Tanaga because is it rhymed and measured, while it exacts skillful use of words to create a puzzle that demands an answer. It was a dying art form, but the Cultural Center of the Philippines ...
Stanza. In poetry, a stanza ( / ˈstænzə /; from Italian stanza, Italian: [ˈstantsa]; lit. 'room') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
Philippine epic poetry is the body of epic poetry in Philippine literature. Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes. These epics are transmitted through oral tradition using a select group of singers and chanters.
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.
Bienvenido L. Lumbera (April 11, 1932 – September 28, 2021) was a Filipino poet, critic and dramatist. Lumbera is known for his nationalist writing and for his leading role in the Filipinization movement in Philippine literature in the 1960s, which resulted in his being one of the many writers and academics jailed during Ferdinand Marcos' Martial Law regime.