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a nine-line syllabic form with the pattern two, four, six, eight, two, eight, six, four, two. Crown cinquain. a sequence of five cinquain stanzas functioning to construct one larger poem. Garland cinquain. a series of six cinquains in which the last is formed of lines from the preceding five, typically line one from stanza one, line two from ...
Quintain (poetry) A quintain or pentastich is any poetic form containing five lines. Examples include the tanka, the cinquain, the quintilla, Shakespeare's Sonnet 99, and the limerick .
Unlike the Ambahan whose length is indefinite, the Tanaga is a seven-syllable quatrain. Poets test their skills at rhyme, meter and metaphor through the Tanaga because is it rhymed and measured, while it exacts skillful use of words to create a puzzle that demands an answer. It was a dying art form, but the Cultural Center of the Philippines ...
Philippine epic poetry is the body of epic poetry in Philippine literature. Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes. These epics are transmitted through oral tradition using a select group of singers and chanters.
History. Modern monostich was started in Russia in 1894 [6] when Valery Bryusov published this apparently absurdist single line: О закрой свои бледные ноги. O zakrój svoí blédnye nógi. Perhaps the first to reintroduce one-line poems was Guillaume Apollinaire with his "Chantre" (1914) [7] in his collection Alcools (1913 ...
It is the longest surviving epic poetry in the Philippines. [4] [5] Darangen is meant to be narrated by singing or chanting. Select parts of it are performed by male and female singers during weddings and celebrations (traditionally at night time), usually accompanied by music from kulintang gong ensembles, Tambor drums, and kudyapi stringed ...
Kundiman was the traditional means of serenade in the Philippines. The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.
Bienvenido L. Lumbera (April 11, 1932 – September 28, 2021) was a Filipino poet, critic and dramatist. Lumbera is known for his nationalist writing and for his leading role in the Filipinization movement in Philippine literature in the 1960s, which resulted in his being one of the many writers and academics jailed during Ferdinand Marcos' Martial Law regime.