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The arts in the Philippines reflect a range of artistic influences on the country's culture, including indigenous art. Philippine art consists of two branches: traditional [1] and non-traditional art. [2] Each branch is divided into categories and subcategories.
Fernando Amorsolo. Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3] He was recognized as such for his "pioneering use of impressionistic ...
The culture of the Philippines is characterized by cultural and ethnic diversity. [1] Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, [2] their cultures were all shaped by the geography and history of the region, [3] [4] and by centuries of interaction with neighboring cultures, and colonial powers.
José García Villa [1] (August 5, 1908 – February 7, 1997) was a Filipino poet, literary critic, short story writer, and painter. He was awarded the National Artist of the Philippines title for literature in 1973, [2] [3] as well as the Guggenheim Fellowship in creative writing by Conrad Aiken. [4] He is known to have introduced the ...
Manunggul Jar. The Manunggul Jar is a secondary burial jar excavated from a Neolithic burial site in the Manunggul cave of the Tabon Caves at Lipuun Point in Palawan, Philippines. It dates from 890–710 B.C. [2] and the two prominent figures at the top handle of its cover represent the journey of the soul to the afterlife .
Dinagyang. The Dinagyang Festival is a religious and cultural festival in Iloilo City, Philippines, held annually on the fourth Sunday of January in honor of Santo Niño, the Holy Child. It is one of the largest festivals in the Philippines, drawing hundreds of thousands to over a million visitors every year. [1] [2]
Manila sound. Manila sound is a musical genre that began in the mid-1970s in the city of Manila. The genre flourished and peaked in the mid to late-1970s. It is often considered the "bright side" of the Philippine martial law era and has influenced most of the modern genres in the country, being the forerunner to OPM .
Dickie Aguado, executive director of Philippine NGO Magna Kultura Foundation (Arts and Culture), says that traditional Filipino games are "very much alive in the Philippines". In many urban and rural areas, a majority of Filipino children play outdoor street games, as most of them have little access to technology.