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Musical ear syndrome. Musical ear syndrome (MES) describes a condition seen in people who have hearing loss and subsequently develop auditory hallucinations. "MES" has also been associated with musical hallucinations, which is a complex form of auditory hallucinations where an individual may experience music or sounds that are heard without an ...
An auditory hallucination, or paracusia, [ 1 ] is a form of hallucination that involves perceiving sounds without auditory stimulus. While experiencing an auditory hallucination, the affected person hears a sound or sounds that did not come from the natural environment. A common form of auditory hallucination involves hearing one or more voices ...
Russell's original six Lydian scales [1] The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode.
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Outside Child is the debut album by Canadian singer-songwriter, poet, activist and multi-instrumentalist Allison Russell.Produced by Dan Knobler and released by Fantasy Records on May 21, 2021, it is Russell's first release as a solo artist following two decades of performing and releasing music as a member of the groups Po' Girl, Birds of Chicago and Our Native Daughters.
The Returner is the second studio album by Canadian singer-songwriter, poet, activist and multi-instrumentalist Allison Russell.Produced by Russell, Dan Knobler and Dim Star (JT Nero and Drew Lindsay), it was released by Fantasy Records on September 8, 2023, as the follow-up to Russell's award-winning debut Outside Child.
Listen to the full episode by pressing play: ″ [Sleeping with contact lenses in your eyes] is bad. It’s real bad. Don’t do it,” Redfern told us, adding that this even applies to naps ...
World of Echo is the second studio album by American musician Arthur Russell, released in 1986 on Upside Records in the US and in 1987 on Rough Trade Records in the UK. The album is composed primarily of Russell's vocals, cello playing, and percussion, which are prominently treated with effects such as delay and reverb.