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A '50s progression in C. The '50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [ 1][ 2] the doo-wop progression[ 3]: 204 and the " ice cream changes " [ 4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V.
See media help. " Keep Your Eyes on the Prize " is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, " Gospel Plow ," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof. An early reference to the older song, "Gospel Plow ...
Slim Willet. " Don't Let the Stars Get in Your Eyes " is a country song about a man away from home who is worried that his paramour may unwittingly stray from their relationship. It was written by Winston L. Moore (whose stage name was Slim Willet) and published in 1952. [ 1] The song has been recorded in many different styles by many ...
The Heavenly Vision. In the light of His glory and grace. "The Heavenly Vision", also known as "Turn Your Eyes Upon Jesus" (the first line of its chorus), is a hymn written by Helen Howarth Lemmel. It was inspired by a tract entitled Focused, [ 1] written by the missionary Isabella Lilias Trotter. The chorus is widely known, and has become a ...
In the song's middle segment, McCartney recalls his younger years, which included riding the bus, smoking, and going to class. Following the second crescendo, the song ends with one of the most famous chords in popular music history, played on several keyboards, that sustains for over forty seconds.
John in the Bible. John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation ( Revelation 1 :9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ( verse 13 ). The Son of Man is portrayed in this vision as having a robe with a ...
"Younger than Springtime" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific. It has been widely recorded as a jazz standard . The song is performed in the first act by Lieutenant Cable when he makes love to his adored Liat, to whom he was only recently introduced by her mother Bloody Mary.
The Mote and the Beam is a parable of Jesus given in the Sermon on the Mount [ 1] in the Gospel of Matthew, chapter 7, verses 1 to 5. The discourse is fairly brief, and begins by warning his followers of the dangers of judging others, stating that they too would be judged by the same standard. The Sermon on the Plain has a similar passage in ...