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Portrait of John C. Calhoun in a sheer white formal cravat, dark coat, and fur-collared or lined overcoat, 1834. Portrait of Hans Christian Andersen shows the depth and breadth of fashionable coat collars, 1836. A gentleman of the Wilkes Family, 1838–40, wears a dark cravat. His tall coat collar is notched and spreads onto his shoulders.
The bekishe derives from the Hungarian bekes c. 16th century, a sort of fur-lined coat with a collar, fastened by clasps. The bekes was often richly decorated, sometimes with galloon . [ 3 ] One force driving caution with use of wool is the Biblical injunction against mixing it with linen (Lev. 19:19; Deut. 22:11).
1820s in Western fashion. Shopping in Paris, 1822: The woman wears a demure bonnet, a shawl, and gloves over her dress. The man wears a top hat, long coat, tall collar, and striped trousers with straps under his shoes, 1822. A dressed up couple on a stroll. During the 1820s in European and European-influenced countries, fashionable women's ...
Statue of Paul Bunyan wearing a mackinaw jacket, in Bangor, Maine. The mackinaw jacket, also known as a mackinaw coat, [ 1] is a short double-breasted coat made of a thick heavy woollen material, generally with a red-and-black plaid pattern. [ 2]
An over-frock coat is a formal overcoat designed to be worn over a frock coat if needed in cold weather. A top-frock coat may also be worn over a frock coat in milder weather. Shaped like the body coats popular in the Victorian and Edwardian periods, the over-frock coat was cut in essentially the same way as the frock coat that was worn under ...
Man's fitted double-breasted banyan, an at-home gown or informal coat, made in the Netherlands of Chinese silk, 1750–60. Suit of 1761 features a dark blue coat and waistcoat with fine embroidery on the edges, deep cuffs, and pocket flaps. Hair is tied back but not powdered. The waistcoat reaches to mid-thigh.
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