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Extended metaphor. An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to ...
470314057. A Room of One's Own is an extended essay by Virginia Woolf, first published in September 1929. [ 1] The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge. [ 2][ 3] In her essay, Woolf uses metaphors to explore social injustices and ...
Linguistics. Literal and figurative language is a distinction that exists in all natural languages; it is studied within certain areas of language analysis, in particular stylistics, rhetoric, and semantics. Literal language uses words exactly according to their direct, straightforward, or conventionally accepted meanings: their denotation.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [ 1][ 2] In the distinction between literal and figurative language, figures of speech constitute the latter.
The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. [ 1] It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an analogy.
Metaphor (drawing a similarity between two things) and metonymy (drawing a contiguity between two things) are two fundamental opposite poles along which a discourse with human language is developed. [1] It has been argued that the two poles of similarity and contiguity are fundamental ones along which the human mind is structured; in the study ...
Allegorical verse uses an extended metaphor to provide the framework for the whole work. It was particularly prevalent in seventeenth century English but a more recent example is Charles Williams ' The Masque of the Manuscript , in which the process of publishing is a metaphor for the search for truth. [ 18 ]
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