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Extended metaphor. An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to ...
470314057. A Room of One's Own is an extended essay by Virginia Woolf, first published in September 1929. [ 1] The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge. [ 2][ 3] In her essay, Woolf uses metaphors to explore social injustices and ...
The essay is built on an extended metaphor of a castaway with amnesia who remembers nothing but the island he washes up on and who creates a new life with the natives of the island. The castaway frequently finds on the beach bottles that have one-sentence messages on the inside, such as "There is fresh water in the next cove," "The British are ...
Overview. William Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. [ 1] The poetry depends on extended, elaborate metaphors and conceits, and the language is often rhetorical —written for actors ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [ 1][ 2] In the distinction between literal and figurative language, figures of speech constitute the latter.
Metaphorical extension. A metaphorical extension is the "extension of meaning in a new direction" through the popular adoption of an original metaphorical comparison. [1] The metaphorical extension is almost a universal and natural process in any language undergone by every word. In general, it's not even perceived in everyday usage as meaning ...
The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
This 17th-century followed Mannerism Italian Baroque poetic school and techniques of Giambattista Marino and his followers was based on its use of extravagant and excessive extended metaphor and lavish descriptions [11] [12] Giambattista Marino, Cesare Rinaldi, Bartolomeo Tortoletti, Emanuele Tesauro, Francesco Pona, Francesco Maria Santinelli
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