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The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell ), whose music was composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
William Tell (French: Guillaume Tell; Italian: Guglielmo Tell) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller 's play Wilhelm Tell, which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he ...
Gioachino Rossini. Gioachino[ n 1] Antonio Rossini[ n 2] (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale ...
Stanley Kubrick's A Clockwork Orange is a soundtrack album released in 1972 by Warner Bros. Records, featuring music from Stanley Kubrick 's 1971 film A Clockwork Orange. It includes pieces of classical music and electronic music by American composer and musician Wendy Carlos, whom Kubrick hired to write the film's original score.
"William Tell Overture" is a single by musician Mike Oldfield, released in 1977. It is a rendition of the last movement ( Allegro molto ) from Gioachino Rossini 's William Tell Overture , played in a deliberately much slower arrangement than Rossini's original piece.
La Scala, Milan. La gazza ladra ( Italian pronunciation: [la ˈɡaddza ˈlaːdra], The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on La pie voleuse by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez . The Thieving Magpie is best known for the ...
Il vero omaggio (1822) Omaggio pastorale (1823) Il pianto delle muse in morte di Lord Byron (1824) Cantata per il battesimo del figlio del banchiere Aguado (1827) L'armonica cetra del nune (1830) Giovanna d'Arco (1832, when it was written with piano accompaniment for Olympe Pélissier; it was revised in 1859 for Marietta Alboni.
Perhaps the most famous of the Ranz des Vaches is the cor anglais and flute solo in the third section of the overture to Gioachino Rossini's opera William Tell, which has been used hundreds of times in many derivative works since its 1829 premiere, frequently to symbolize a pastoral setting.
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