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In rhetoric, antithesis is a figure of speech involving the bringing out of a contrast in the ideas by an obvious contrast in the words, clauses, or sentences, within a parallel grammatical structure. [7] The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of ...
In discourse theory, and computational discourse, contrast is a major discourse relation, on par with relationship like explanation or narration, and work has concentrated on trying to identify contrast in naturally produced texts, especially in cases where the contrast is not explicitly marked. In morphology, 'contrast' is identified, when two ...
Contrast is the antonym of simile. In poetic compositions, it is common for poets to set out an elaborate contrast or elaborate simile as the argument. For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated.
Moreover, we can see that it is able to trigger subject-verb agreement as well, further indicating that it is the syntactic subject of the sentence. This is in contrast to examples of locative inversion in English, where the semantic subject of the sentence controls subject-verb agreement, implying that it is a dislocated syntactic subject as well:
e. In linguistics, prosody ( / ˈprɒsədi, ˈprɒz -/) [ 1][ 2] is the study of elements of speech that are not individual phonetic segments (vowels and consonants) but which are properties of syllables and larger units of speech, including linguistic functions such as intonation, stress, and rhythm. Such elements are known as suprasegmentals.
X-bar theory graph of the sentence "He studies linguistics at the university." Constituency is a one-to-one-or-more relation; every word in the sentence corresponds to one or more nodes in the tree diagram. Dependency, in contrast, is a one-to-one relation; every word in the sentence corresponds to exactly one node in the tree diagram.
Foil (narrative) In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist. [ 2][ 3][ 4] A foil to the protagonist may also be the antagonist of the plot. [ 5]
Juxtaposition in literary terms is the showing contrast by concepts placed side by side. An example of juxtaposition are the quotes "Ask not what your country can do for you; ask what you can do for your country", and "Let us never negotiate out of fear, but let us never fear to negotiate", both by John F. Kennedy, who particularly liked juxtaposition as a rhetorical device. [1]