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Munich-style stained glass was produced in the Royal Bavarian Stained Glass Manufactory, Munich, in the mid-19th century. [1] King Ludwig I [1] opened the glassworks in 1827 which continued production of high quality glass until the early 20th century. Franz Xaver Zettler headed the operation for much of this time. [2]
British and Irish stained glass (1811–1918) One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an ...
In the mid-19th century, Lavers, Barraud and Westlake were among many young designers who responded to the growing market for stained glass windows. The partnership initially comprised Nathaniel Wood Lavers (1828–1911) and Francis Philip Barraud (1824–1900). [note 1] Both were originally employed at the workshops of James Powell and Sons.
Born in 1841, the son of a Scottish farmer, in the Gorbals district of Glasgow, MacDonald was trained as a glass painter in London. By 1863, he was a partner in the London firm of McMillan & McDonald of Camden Town, furnishing stained glass for the New Stepney Meetinghouse (destroyed) in the Tower Hamlets district of East London. [2]
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It turned out to be much more. The vase dated back 2,000 years, and her Anna Lee Dozier knack for second-hand shopping near her Washington, DC, home paid off big time.
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Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).