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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity .
Matthew 6:21–27 from the 1845 illuminated book of The Sermon on the Mount, designed by Owen Jones. In the King James Version of the English Bible the text reads: thy whole body shall be full of light. The World English Bible translates the passage as: “The lamp of the body is the eye. whole body will be full of light.
Religious image. A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones. [citation needed]
The new memoir 'That Librarian' by Amanda Jones is a troubling portrait of America's culture war over censorship and book banning
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Jinn (Arabic: جِنّ ), also romanized as djinn or anglicized as genies, are invisible creatures in early pre-Islamic Arabia and later in Islamic culture and beliefs. [1] Like humans, they are accountable for their deeds and can be either believers or disbelievers (), depending on whether they accept God's guidance.
Hypostatic union (from the Greek: ὑπόστασις hypóstasis, 'person, subsistence') is a technical term in Christian theology employed in mainstream Christology to describe the union of Christ's humanity and divinity in one hypostasis, or individual personhood. [ 1]