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Georgia O'Keeffe. Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings ...
Pregnant woman was the most famous painting in a series of paintings of seven pregnant nude women painted by Alice Neel. [48] Pregnant girl was a painting of 1960–61 by Lucian Freud that portrayed his then girlfriend Bernadine Coverley, when she was pregnant with their daughter Bella. [ 49 ]
Magdalena Carmen Frida Kahlo y Calderón ( Spanish pronunciation: [ˈfɾiða ˈkalo]; 6 July 1907 – 13 July 1954 [ 1]) was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico. Inspired by the country's popular culture, she employed a naïve folk art style to explore ...
Mary Stevenson Cassatt (/ k ə ˈ s æ t /; May 22, 1844 – June 14, 1926) [1] was an American painter and printmaker. [2] She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists.
3/5 Laura Knight and Artemisia Gentileschi feature among a vast array of little-known female artists in this expansive survey at Tate Britain, but some of the work on display only underlines the ...
With carefully crafted tones of light, this photo of a pepper emphasizes third-dimensional depth while defying conventional interpretations of form. [s 3] See article Larmes: 1930 Man Ray Paris, France The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 3] The Hague
Margaret D. H. Keane (born Peggy Doris Hawkins, September 15, 1927 – June 26, 2022) [ 1] was an American artist known for her paintings of subjects with big eyes. She mainly painted women, children, or animals in oil or mixed media. The work achieved commercial success through inexpensive reproductions on prints, plates, and cups.
In a traditional pose of mothers and new babies, Augustine is holding her baby upright, supporting the baby's back by her right arm and steadying the baby's midsection with her left hand. Marcelle, whose face is directed outward, is more active and engages the audience. Van Gogh used heavy outlines in blue around the images of mother and baby. [3]