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An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
Metaphors are usually meant to create a likeness or an analogy. [2] Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. [3] One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from As You Like It:
John Donne ( / dʌn / DUN; 1571 or 1572 [ a] – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. [ 2] Under Royal Patronage, he was made Dean of St Paul's Cathedral in London (1621–1631). [ 1] He is considered the preeminent representative of ...
The extended metaphor of "crossing the bar" represents travelling serenely and securely from life through death. The Pilot is a metaphor for God, whom the speaker hopes to meet face to face. Tennyson explained, "The Pilot has been on board all the while, but in the dark I have not seen him…. [He is] that Divine and Unseen Who is always ...
The poet Abraham Cowley, in whose biography Samuel Johnson first named and described Metaphysical poetry. The term Metaphysical poets was coined by the critic Samuel Johnson to describe a loose group of 17th-century English poets whose work was characterised by the inventive use of conceits, and by a greater emphasis on the spoken rather than lyrical quality of their verse.
Overview. William Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. [ 1] The poetry depends on extended, elaborate metaphors and conceits, and the language is often rhetorical —written for actors ...
O Captain! My Captain! at Wikisource. " O Captain! My Captain! " is an extended metaphor poem written by Walt Whitman in 1865 about the death of U.S. president Abraham Lincoln. Well received upon publication, the poem was Whitman's first to be anthologized and the most popular during his lifetime. Together with "When Lilacs Last in the Dooryard ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [ 1][ 2] In the distinction between literal and figurative language, figures of speech constitute the latter.