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The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
[12] "You'll See" is a low bass track featuring wind chimes and a Spanish guitar. Throughout the chord changes progression to give Madonna's vocals dominance in the song, and after a minute the percussion starts with a tremolo guitar added later.
In jazz harmony, a So What chord is a particular 5-note chord voicing. From the bottom note upwards, it consists of three perfect fourth intervals followed by a major third interval. It was employed by Bill Evans in the "'amen' response figure " [1] to the head of the Miles Davis tune "So What". For example, an "E minor" So What chord is an Em ...
Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G- major triad (G,B,D). For example, a popular open-G tuning is. D–G–D–G–B–D (low to high). An open-G tuning allows a G-major chord to be strummed on ...
A power chord being fretted. A power chordPlay ⓘ, also called a fifth chord, is a colloquial name for a chord on guitar, especially on electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played with an amp with intentionally added distortion or overdrive effects.
Avoid note. In jazz theory, an avoid note is a scale degree which is considered especially dissonant relative to the harmony implied by the root chord, and is thus better avoided. In major-key tonality the avoid note is the fourth diatonic scale step, or 11th, which is a minor ninth above the 3rd of the chord, and thus very harsh. [ 1]
An inverted chord is a chord with a bass note that is a chord tone but not the root of the chord. Inverted chords are noted as slash chords with the note after the slash being the bass note. For instance, the notation C/E bass indicates a C major triad in first inversion i.e. a C major triad with an E in the bass.
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