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  2. The Collective (Kim Gordon album) - Wikipedia

    en.wikipedia.org/wiki/The_Collective_(Kim_Gordon...

    The Collective received a score of 84 out of 100 on review aggregator Metacritic based on 16 critics' reviews, indicating "universal acclaim". The Wire felt that "hard edged synths and massive, crunchy beats lend righteous swagger to Gordon's bleary guitar squalls and jetlagged sprechstimme", while Mojo opined that "'The Candy House' ' s garbled distress flare or the My Bloody Neubauten of 'I ...

  3. Polyrhythm - Wikipedia

    en.wikipedia.org/wiki/Polyrhythm

    Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval. Polyrhythm ( / ˈpɒlirɪðəm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]

  4. Money (Pink Floyd song) - Wikipedia

    en.wikipedia.org/wiki/Money_(Pink_Floyd_song)

    Roger Waters' bassline, described by Adrian Ashton as "one of the most memorable classic bass riffs ever recorded." [2] " Money " is a song by English rock band Pink Floyd from their 1973 album The Dark Side of the Moon. Written by Roger Waters, it opened side two of the original album. Released as a single, it became the band's first hit in ...

  5. Ron Browz - Wikipedia

    en.wikipedia.org/wiki/Ron_Browz

    Rondell Edwin Turner (born December 6, 1982), better known by his stage name Ron Browz ( / ˈbraʊz / ), is an American rapper, singer, and record producer from Harlem, New York. He gained major recognition for producing Nas ' 2001 diss track, "Ether". Browz then adopted the nickname Ether Boy, which is also namesake of a record label he ...

  6. Counting (music) - Wikipedia

    en.wikipedia.org/wiki/Counting_(music)

    Counting (music) In music, counting is a system of regularly occurring sounds that serve to assist with the performance or audition of music by allowing the easy identification of the beat. Commonly, this involves verbally counting the beats in each measure as they occur, whether there be 2 beats, 3 beats, 4 beats, or even 5 beats.

  7. Time Out (album) - Wikipedia

    en.wikipedia.org/wiki/Time_Out_(album)

    8 as 3+3+3, but the saxophone and piano solos are in 4 4. The title is a play on Mozart's "Rondo alla Turca" from his Piano Sonata No. 11, and reflects the fact that the band heard the rhythm while traveling in Turkey. "Strange Meadow Lark" begins with a piano solo that exhibits no clear time signature, but then settles into a fairly ordinary 4

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